Howard Da Silva (born Howard Silverblatt, May 4, 1909 – February 16, 1986) was an American actor, director and musical performer on stage, film, television and radio. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than fifty feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of the Rodgers and Hammerstein musical Oklahoma!, and also portrayed the prosecuting attorney in the 1957 stage production of Compulsion. Da Silva was nominated for a 1960 Tony Award as Best Featured Actor in a Musical for his work in Fiorello!, a musical about New York City mayor LaGuardia. In 1961, Da Silva directed Purlie Victorious, by Ossie Davis.
Many of his early feature films were of the noir genre in which he often played villains, such as Eddie Harwood in The Blue Dahlia and the sadistic Captain Francis Thompson in Two Years Before the Mast (both 1946). Da Silva’s characterization of historic figures are among some of his most notable work: he was Lincoln’s brawling friend Jack Armstrong in both play (1939) and film (1940) versions of Abe Lincoln in Illinois written by Robert Sherwood; Benjamin Franklin in the 1969–1972 stage musical 1776 and a reprisal of the role for the 1972 film version of the production; Soviet leader Nikita Khrushchev in The Missiles of October (1974); Franklin D. Roosevelt in The Private Files of J. Edgar Hoover (1977); and Louis B. Mayer in Mommie Dearest (1981).
Da Silva’s American television character work included the defense attorney representing the robot in The Outer Limits episode “I, Robot” (1964), and district attorney Anthony Cleese in For the People (1965). For his performance as Eddie in the Great Performances production of Verna: USO Girl (1978), the actor received a Primetime Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special.
In the 1970s, Da Silva appeared in 26 episodes of the radio series, the CBS Radio Mystery Theater.
Early life
Da Silva was born in Cleveland, Ohio, the son of Bertha (née Sen) and Benjamin Silverblatt, a dress cutter. His parents were both Yiddish-speaking Jews born in Russia. His mother was a women’s-rights activist. Before beginning his acting career on the stage, he was employed as a steelworker.
Da Silva was a graduate of the Carnegie Institute of Technology and studied acting with Eva Le Gallienne beginning in 1928 at the Civic Repertory Theatre. He changed his surname to the Portuguese Da Silva (the name is sometimes misspelled Howard De Silva).
Career
Da Silva appeared in a number of Broadway musicals, including the role of Larry Foreman in the legendary first production of Marc Blitzstein’s musical, The Cradle Will Rock (1938). Later, he costarred in the original 1943 stage production of Rodgers and Hammerstein’s Oklahoma!, playing the role of the psychopathic Jud Fry. He was the easygoing Ben Marino who opposed Tammany Hall in the Pulitzer winning musical Fiorello!.
In 1969, Da Silva originated the role of Benjamin Franklin in the musical 1776. Four days before the show opened on Broadway, he suffered a minor heart attack but refused to seek medical assistance because he wanted to make sure critics saw his performance. After the four official critic performances were over, the cast left to go to the cast party and Da Silva went to the hospital and immediately took a leave of absence from the production. While Da Silva recuperated, his understudy, Rex Everhart, took over the role and performed on the cast recording. Da Silva was able to reprise his role in the 1972 film version and appeared on that soundtrack album.
Da Silva did summer stock at the Pine Brook Country Club, located in the countryside of Nichols, Connecticut, with the Group Theatre (New York) formed by Harold Clurman, Cheryl Crawford and Lee Strasberg in the 1930s and early 1940s.
Da Silva appeared in over 60 motion pictures. Some of his memorable roles include a leading mutineer in The Sea Wolf (1941), playing Ray Milland’s bartender in The Lost Weekend (1945), and the half-blind criminal “Chicamaw ‘One-Eye’ Mobley” in They Live by Night (1949). He also released an album on Monitor Records (MP 595) of political songs and ballads entitled Politics and Poker.
Da Silva returned to the stage, and was nominated for the 1960 Tony Award for Best Featured Actor in a Musical for his role as “Ben Marino” in Fiorello! (1959). After being blacklisted, Da Silva and Nelson left Los Angeles for New York to perform in The World of Sholom Aleichem.
Da Silva was nominated for the British BAFTA Film Award for Best Foreign Actor for his performance as Dr. Swinford in David and Lisa (1962). Da Silva portrayed Soviet Premier Khrushchev in the television docudrama The Missiles of October (1974). He won the Emmy Award for Outstanding Performance by a Supporting Actor in a Comedy or Drama Special for his role as Eddie in Verna: U.S.O. Girl (1978) with Sissy Spacek.
Da Silva’s TV guest appearances, after the era in which blacklisting was strongest, include such programs as The Outer Limits, Ben Casey, The Man from U.N.C.L.E., The Fugitive, Gentle Ben, Mannix, Love, American Style, Kung Fu, and Archie Bunker’s Place.
Da Silva also played President Franklin D. Roosevelt in The Private Files of J. Edgar Hoover (1977), Hollywood mogul Louis B. Mayer in Mommie Dearest (1981), and American statesman Benjamin Franklin in 1776 (1972), as well as a documentary depicting the life of Ben Franklin shown at Franklin’s house in Philadelphia. He appeared in two different film adaptations of F. Scott Fitzgerald’s 1925 novel, The Great Gatsby. In the 1949 production with Alan Ladd as Gatsby, Da Silva played garage owner George Wilson; in the 1974 film with Robert Redford, Da Silva was Meyer Wolfsheim, the flamboyant gambler with the interesting cufflinks. In his final appearance on screen, Da Silva played a New York photographer fascinated with the reclusive Greta Garbo in the film Garbo Talks (1984), directed by Sidney Lumet.
He also did voice acting in 26 episodes of the popular 1974–82 radio thriller series CBS Radio Mystery Theater (between July 1974 and February 1977). In 1978, he recorded linking narration for episodes of the British television program Doctor Who broadcast in the United States.
Blacklisting
Da Silva became one of hundreds of artists blacklisted in the entertainment industry during the House Committee on Unamerican Activities investigation into alleged Communist influence in the industry. Following his March 1951 testimony in which he repeatedly invoked his Fifth Amendment rights, his lead performance in the completed feature film Slaughter Trail was re-shot with actor Brian Donlevy. Da Silva continued to find work on the New York stage, but did not work in feature films again until 1961 when he appeared in David and Lisa (a BAFTA-nominated performance). He was eventually cleared of any charges in 1960, but not before his career in television had also stalled, with no work between 1951 and 1959 when he appeared in The Play of the Week. The brief respite was followed by another television career void until his appearance in a 1963 episode of The Defenders. That was the beginning of the end of Da Silva’s blacklist, and the show’s producer Herb Brodkin paired Da Silva with William Shatner when he created the television series For the People.
Personal life and death
Da Silva’s first wife was Evelyn Horowitz. They were married through the 1930s when Howard was a member of Eva LeGallienne’s Civic Repertory Company. His marriage was kept a secret for a while as Le Gallienne did not want members of her company to be distracted by marriage entanglements. Howard and Evelyn were politically active and were involved in the movement to support the loyalists in Spain among other causes. They were divorced in 1942.
Da Silva married actress Marjorie Nelson in 1949. Da Silva and Nelson divorced in 1960. He married twice more and had a total of two sons and three daughters.
Da Silva died of lymphoma, aged 76, in Ossining, New York.
Acting credits
Stage
| Opening date | Closing date | Title | Role | Theatre | Notes | Refs |
|---|---|---|---|---|---|---|
| Apr 21, 1930 | May 1930 | Romeo and Juliet | Apothecary | Civic Repertory Theatre | ||
| Oct 6, 1930 | unknown | The Green Cockatoo | Scaevola | Civic Repertory Theatre | Written in 1899 by Arthur Schnitzler as Der grüne Kakadu | |
| Oct 6, 1930 | Nov 1930 | Romeo and Juliet | Apothecary | Civic Repertory Theatre | ||
| Oct 20, 1930 | Nov 1930 | Siegfried | Mr. Patchkoffer, Schumann | Civic Repertory Theatre | Written by Jean Giraudoux; adaptation by Philip Carr | |
| Dec 1, 1930 | Jan 1931 | Alison’s House | Hodges | Civic Repertory Theatre | Written by Susan Glaspell | |
| Jan 26, 1931 | Mar 1931 | Camille | Guest | Civic Repertory Theatre | Written by Alexandre Dumas, fils; translation by Henriette Metcalf | |
| May 11, 1931 | May 31, 1931 | Alison’s House | Hodges | Ritz Theatre | Written by Susan Glaspell | |
| Oct 26, 1932 | Oct 1932 | Liliom | Wolf Beifeld | Civic Repertory Theatre | Written by Ferenc Molnár; adaptation by Benjamin Glazer | |
| Nov 14, 1932 | Nov 1932 | Dear Jane | Dr. Samuel Johnson | Civic Repertory Theatre | Written by Eleanor Holmes Hinkley | |
| Dec 12, 1932 | Dec 1933 | Alice in Wonderland | Cook, White Knight | Civic Repertory Theatre | Based on the Lewis Carroll books; written by Florida Friebus and Eva Le Gallienne | |
| March 6, 1933 | April 1933 | The Cherry Orchard | Stationmaster | New Amsterdam Theatre | Written by Anton Chekhov; translation by Constance Garnett | |
| Dec 10, 1934 | Mar 1935 | Sailors of Cattaro | Sepp Kriz | Civic Repertory Theatre | From the 1930 German work Die Matrosen von Cattaro by Friedrich Wolf; translation by Keen Wallis; adaptation by Michael Blankfort | |
| Mar 20, 1935 | June 1935 | Black Pitt | Hansy McCulloh | Civic Repertory Theatre | Written by Albert Maltz | |
| Nov 4, 1937 | June 1938 | Golden Boy | Lewis | Belasco Theatre | Written by Clifford Odets | |
| Jan 3, 1938 | April 1938 | The Cradle Will Rock | Larry Foreman | Windsor Theatre | Written by Marc Blitzstein | |
| Feb 19, 1938 | May 1938 | Casey Jones | Old Man | Fulton Theatre | Written by Robert Ardrey | |
| Oct 15, 1938 | Dec 1939 | Abe Lincoln in Illinois | Jack Armstrong | Plymouth Theatre | Written by Robert E. Sherwood | |
| Nov 2, 1939 | Nov 4, 1939 | Summer Night | Speed | St. James Theatre | Written by Benjamin Glazer and Vicki Baum | |
| Jan 22, 1940 | Apr 13, 1940 | Two On An Island | The Sightseeing Guide | Broadhurst Theatre | Written by Elmer Rice | |
| Jan 22, May 31, 1943 | May 29, 1948 | Oklahoma! | Jud Fry | St. James Theatre | Written by Rodgers and Hammerstein | |
| April 9, 1946 | Shootin’ Star | Saloon proprietor, sheriff | Shubert Theatre, Philadelphia | Written by Walter Hart and Louis Jacobs | ||
| Dec 26, 1947 | Feb 7, 1948 | The Cradle Will Rock | (directed) | Mansfield Theatre, Broadway Theatre | Written by Marc Blitzstein | |
| Oct 18, 1950 | Oct 28, 1950 | Burning Bright | Friend Ed | Broadhurst Theatre | Written by John Steinbeck | |
| Nov 23, 1954 | Jan 2, 1955 | Sandhog | (produced) | Phoenix Theatre | Written by Earl Robinson and Waldo Salt, based on St. Columbia and the River by Theodore Dreiser. Rachel Productions was owned by da Silva and Arnold Perl. | |
| Nov 4, 1956 | Nov 25, 1956 | Diary of a Scoundrel | Neel Fedoseitch Mamaev | Phoenix Theatre | Written by Alexander Ostrovsky; adapted by Rodney Ackland | |
| Oct 24, 1957 | Feb 22, 1958 | Compulsion | Horn The Prosecuting Attorney | Ambassador Theatre | Based on the 1956 Meyer Levin novel of the same name; later produced as the 1959 film Compulsion. | |
| Nov 23, 1959 | Oct 28, 1961 | Fiorello! | Ben Marino | Broadhurst Theatre, Broadway Theatre | Based on the book by Jerome Weidman and George Abbott;Da Silva nominated for 1960 Tony Award Best Featured Actor in a Musical | |
| Sept 28, 1961 | May 13, 1962 | Purlie Victorious | (directed) | Cort Theatre, Longacre Theatre | Written by Ossie Davis | |
| Jan 10, 1962 | Mar 10, 1962 | Romulus | Ottaker | Music Box Theatre | Written by Friedrich Duerrenmatt; adapted by Gore Vidal | |
| Dec 12, 1962 | Dec 15, 1962 | In the Counting House | Max Hartman | Biltmore Theater | Written by Leslie Weiner | |
| Feb 28, 1963 | Jul 10, 1963 | Dear Me, The Sky is Falling | Paul Hirsch | Music Box Theatre | Written by Leonard Spigelgass, based on the book by Gertrude Berg and James Yaffe | |
| Oct 14, 1963 | Oct 19, 1963 | The Advocate | (directed) | ANTA Playhouse | Written by Robert Noah | |
| Nov 8, 1964 | Jan 7, 1975 | The Cradle Will Rock | (directed) | Theatre Four | Written by Marc Blitzstein | |
| Nov 10, 1965 | Apr 16, 1966 | The Zulu and the Zayda | (writer) | Cort Theatre | Original story by Dan Jacobson; book adaptation by Howard da Silva and Felix Leon | |
| Dec 06, 1966 | Dec 31, 1966 | My Sweet Charlie | (directed) | Longacre Theatre | Written by David Westheimer | |
| May 5, 1966 | May 29, 1966 | Galileo Galilei | (guest directed) | Goodman Theater | Written by Bertolt Brecht Featuring Morris Carnovsky | |
| Jul 06, 1967 | Nov 12, 1967 | The Unknown Soldier and His Wife | Archbishop | Vivian Beaumont Theater, George Abbott Theater | Written by Peter Ustinov | |
| Mar 16, 1969 | Feb 13, 1972 | 1776 | Benjamin Franklin | 46th Street Theatre, St. James Theatre, Majestic Theatre | Based on a book by Peter Stone; adapted by Sherman Edwards | |
| Feb 11, 1982 | Feb 28, 1982 | The World of Sholom Aleichem | (conceived) | Rialto Theatre | Conceived by Howard da Silva and Arnold Perl; written by Perl. |
Film
| Year | Title | Role | Director | Other cast members | Refs. | Notes |
|---|---|---|---|---|---|---|
| 1935 | Once in a Blue Moon | Ben Hecht, Charles MacArthur | Jimmy Savo | Uncredited | ||
| 1938 | Marie Antoinette | Toulon | W. S. Van Dyke | Norma Shearer, John Barrymore | Uncredited | |
| 1940 | Abe Lincoln in Illinois | Jack Armstrong | John Cromwell | Raymond Massey, Ruth Gordon | ||
| I’m Still Alive | Red Garvey | Irving Reis | Kent Taylor, Linda Hayes | |||
| 1941 | The Dog in the Orchard | Foster | Jean Negulesco | Barbara Pepper | Short | |
| The Sea Wolf | Harrison | Michael Curtiz | Edward G. Robinson, Ida Lupino, John Garfield | |||
| Strange Alibi | Monson | D. Ross Lederman | Arthur Kennedy, Joan Perry | |||
| Sergeant York | Lem | Howard Hawks | Gary Cooper | |||
| Bad Men of Missouri | Greg Bilson | Ray Enright | Dennis Morgan, Jane Wyman | |||
| Three Sons o’ Guns | Radio announcer | Benjamin Stoloff | Wayne Morris | Uncredited | ||
| Navy Blues | Petty Officer | Lloyd Bacon | Ann Sheridan, Jack Oakie, Martha Raye, Jack Haley | Uncredited | ||
| Nine Lives Are Not Enough | J.B. Murray – City Editor | A. Edward Sutherland | Ronald Reagan | |||
| Blues in the Night | Sam Paryas | Anatole Litvak | Richard Whorf, Priscilla Lane, Betty Field | |||
| At the Stroke of Twelve | Angie the Ox | Jean Negulesco | Craig Stevens | Short | ||
| Steel Against the Sky | Bugs Little | A. Edward Sutherland | Alexis Smith, Lloyd Nolan | |||
| 1942 | Wild Bill Hickok Rides | Ringo | Ray Enright | Constance Bennett, Bruce Cabot | ||
| Bullet Scars | Frank Dillon | D. Ross Lederman | Regis Toomey | |||
| Juke Girl | Cully | Curtis Bernhardt | Ann Sheridan, Ronald Reagan | |||
| The Big Shot | Sandor | Lewis Seiler | Humphrey Bogart | |||
| The Omaha Trail | Ben Santley | Edward Buzzell | James Craig | |||
| Reunion in France | Anton Stregel | Jules Dassin | Joan Crawford, John Wayne | |||
| Native Land | Jim | Leo Hurwitz, Paul Strand | Paul Robeson | Documentary | ||
| 1943 | Keeper of the Flame | Jason Rickards | George Cukor | Spencer Tracy, Katharine Hepburn | ||
| Tonight We Raid Calais | Sgt. Block | John Brahm | Lee J. Cobb, Beulah Bondi | |||
| 1945 | Ed Gardner’s Duffy’s Tavern | Tough guy | Hal Walker | Bing Crosby | ||
| The Lost Weekend | Nat | Billy Wilder | Ray Milland | |||
| 1946 | The Blue Dahlia | Eddie Harwood | George Marshall | Alan Ladd, Veronica Lake | ||
| Two Years Before the Mast | Captain Francis A. Thompson | John Farrow | Brian Donlevy, Barry Fitzgerald | |||
| 1947 | Blaze of Noon | Mike Gafferty | John Farrow | Anne Baxter, William Holden | ||
| Variety Girl | Himself | George Marshall | DeForest Kelley, Olga San Juan | |||
| Unconquered | Martin Garth | Cecil B. DeMille | Gary Cooper, Paulette Goddard | |||
| 1948 | They Live by Night | Chickamaw | Nicholas Ray | Farley Granger | ||
| 1949 | The Great Gatsby | Wilson | Elliott Nugent | Alan Ladd | ||
| Border Incident | Owen Parkson | Anthony Mann | Ricardo Montalban, George Murphy | |||
| 1950 | The Underworld Story | Carl Durham | Cy Endfield | Dan Duryea, Gale Storm | ||
| Wyoming Mail | Cavanaugh | Reginald LeBorg | Stephen McNally | |||
| Tripoli | Capt. Demetrios | Will Price | Maureen O’Hara | |||
| Three Husbands | Dan McCabe | Irving Reis | Eve Arden | |||
| 1951 | Fourteen Hours | Deputy Police Chief Moskar | Henry Hathaway | Richard Basehart | ||
| Slaughter Trail | Capt. Dempster | Irving Allen | Gig Young, Virginia Grey | Note | ||
| M | Inspector Carney | Joseph Losey | David Wayne | |||
| 1962 | David and Lisa | Dr. Alan Swinford | Frank Perry | Keir Dullea, Janet Margolin | ||
| 1964 | The Outrage | Prospector | Martin Ritt | Paul Newman, Laurence Harvey, Claire Bloom | ||
| Hamlet | Claudius | Bruce Minnix, Joseph Papp | Michael Alaimo | |||
| 1966 | Nevada Smith | Warden | Henry Hathaway | Steve McQueen | ||
| 1972 | 1776 | Dr. Benjamin Franklin (PA) | Peter H. Hunt | William Daniels, Blythe Danner, Ken Howard | ||
| 1974 | The Great Gatsby | Meyer Wolfsheim | Jack Clayton | Robert Redford, Mia Farrow | ||
| 1975 | I’m a Stranger Here Myself | Narrator | David Halpern | John Houseman | ||
| 1976 | Hollywood on Trial | Himself | David Helpern | Dalton Trumbo, Ring Lardner Jr., Walter Bernstein | ||
| 1977 | The Private Files of J. Edgar Hoover | Franklin D. Roosevelt | Larry Cohen | Broderick Crawford, Celeste Holm, José Ferrer | ||
| 1981 | Mommie Dearest | Louis B. Mayer | Frank Perry | Faye Dunaway | ||
| 1984 | Garbo Talks | Angelo Dokakis | Sidney Lumet | Greta Garbo, Anne Bancroft, Ron Silver |
Television
| Year | Title | Role | Notes | Refs. |
|---|---|---|---|---|
| 1950 | The Silver Theatre | My Heart’s in the Highlands | ||
| 1951 | The Bigelow Theatre | My Heart’s in the Highlands | ||
| 1959 | The Play of the Week | Dupont-Dufour Sr. | Thieves Carnival | |
| 1963 | The Defenders | Peter Cole | The Bagman | |
| East Side/West Side | Wallace Mapes | I Believe E Except After C | ||
| The Doctors and the Nurses | Dr. McClendon | Disaster Call | ||
| 1964 | The Defenders | Arnold Fermuller | The Man Who | |
| The Outer Limits | Thurman Cutler | I, Robot | ||
| 1965 | For the People | Anthony Celese | 13 episodes | |
| Ben Casey | Ulysses Pagoras | The Day They Stole Country General | ||
| Ben Casey | Cantor Nathan Birmbaum | A Nightingale Named Nathan | ||
| 1966 | The Man from U.N.C.L.E. | Captain Basil Calhoun | The Foreign Legion Affair | |
| The Loner | Gonzales | To Hang a Dead Man | ||
| The Fugitive | Pete Dawes | Death is the Door Prize | ||
| 1967 | N.Y.P.D. | Dimitchik | Old Gangsters Never Die | |
| Gentle Ben | Phillip Garrett | Battle of Wedlow Woods | ||
| 1968 | Mannix | Aram Karmalis | You Can Get Killed Out There | |
| 1972 | Keep the Faith | Rabbi Mossman | TV film | |
| 1973 | Love, American Style | Doctor Wazanskyi | Love and the End of the Line | |
| Kung Fu | Otto Schultz | The Hoots | ||
| 1974 | Smile Jenny, You’re Dead | Lt. Humphrey Kenner | TV film | |
| The Missiles of October | Nikita Khrushchev | TV film | ||
| 1976 | The American Parade | Boss Tweed | Stop, Thief! | |
| 1977 | Insight | Arnstein – Violinist | Arnstein’s Miracle | |
| 1978 | When the Boat Comes In | Host | American broadcast | |
| Great Performances | Eddie | Verna:USO Girl | ||
| 1980 | Power | Jack Eisenstadt | TV film | |
| The Greatest Man in the World | Conklin | TV film | ||
| 1983 | Archie Bunker’s Place | Abe Rabinowitz | The Promotion | |
| Masquerade | General Breznin | Pilot | ||
| 1984 | American Playhouse | Critic | The Cafeteria |
Howard Da Silva provided linking narration for North American broadcasts of Doctor Who, providing continuity announcements for episodes from season 12 through season 15, ostensibly to help North American audiences get acclimatized to the nature of serial storytelling, which was then uncommon on non-soap-operatic television in the United States and Canada. His narration accompanied the earliest runs of Doctor Who as broadcast on American PBS stations and Canadian broadcasters like TVOntario during the 1970s and early 1980s. Typically, after Doctor Who had been run on a station for a while, the linking narration was removed as unnecessary.[citation needed] Nevertheless, the announcements were so familiar a part of some viewers’ experience of Doctor Who that they became a standard extra feature on BBC DVD releases of early Tom Baker serials.[citation needed]
Radio
| Year | Date | Title | Ep. No. |
|---|---|---|---|
| 1974 | July 31 | “The Only Blood” | 125 |
| Dec 5 | “The Body Snatchers” | 183 | |
| Dec 24 | “A Very Private Miracle” | 191 | |
| 1975 | Jan 14 | “Faith and the Faker” | 205 |
| Feb 14 | “The Shadow of the Past” | 223 | |
| Mar 20 | “The Doppelganger” | 242 | |
| Apr 18 | “A Challenge for the Dead” | 259 | |
| May 8 | “Taken for Granite” | 270 | |
| June 6 | “The Transformer” | 287 | |
| July 2 | “Come Back with Me” | 301 | |
| Aug 5 | “Hung Jury” | 321 | |
| Aug 19 | “Welcome for a Dead Man” | 329 | |
| Sept 18 | “The Coffin with the Golden Nails” | 346 | |
| Sept 28 | “The Other Self ” | 354 | |
| Oct 23 | “The Sealed Room Murder” | 366 | |
| Nov 17 | “The Moonlighter” | 380 | |
| Nov 28 | “The Frammis” | 387 | |
| Dec 15 | “Burn, Witch, Burn” | 396 | |
| 1976 | Jan 19 | “There’s No Business Like” | 418 |
| Feb 19 | “Goodbye, Benjamin Flack” | 434 | |
| Apr 24 | “The Prince of Evil” | 475 | |
| Aug 30 | “The Night Shift” | 511 | |
| Oct 22 | “Somebody Help Me!” | 540 | |
| Dec 14 | “The Smoking Pistol” | 565 | |
| 1977 | Jan 4 | “This Breed Is Doomed” | 577 |
| Feb 25 | “Legend of Phoenix Hill” | 607 |
Citations
External Links
Actor Howard Da Silva – Wikipedia
